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SALLY RICHARDSON
Sally Richardson is a sculptor whose practice explores a deep-rooted connection to the sea through hand-carved wood and stone. Working with organic, human and plant-like forms, her sculptures evoke the fluidity, movement and natural rhythms of maritime environments.
Richardson carves entirely by hand using mallets, chisels and rasps, working with limestone, Carrara marble and woods including mountain laurel, cherry, walnut and New Zealand totara. Her subtractive process is guided by the individual character of each material, allowing forms to gradually emerge from within.
For the past twenty years, Richardson has lived and worked in Montauk, where the coastal landscape and its maritime history remain an enduring source of inspiration.
All the art work in TWP stores is for sale.
For more information on the artwork or to make a purchase inquiry please reach out to onnahouse@twp.com
DELPHINE CORDIE
Delphine Cordie is a Belgian designer whose practice brings together jewelry, interior design and sculpture. Handmade in her Ghent studio, her sculptural works explore femininity, serenity and balance through a refined engagement with natural materials and tactile form.
Cordie’s wall sculptures invite moments of pause and contemplation, offering a physical counterpoint to the increasingly digital nature of everyday life. Through texture, material and form, her work encourages a renewed connection with the tangible world.
Rooted in ideas of stillness and reflection, Cordie’s practice celebrates the beauty of materiality while creating space for imagination, connection and creative exchange.
SERINA MAYER
Serina Mayer is a ceramic artist living and working in East Hampton, New York. She creates sculptural assemblies from clay that invite reflection on memory and transformation. Self-taught, Serina combines personal storytelling with a sensitive understanding of her materials. Her sculptures carry the marks of their making—layers built up, altered, and changed by fire and time—capturing moments of change and resilience. Through her work, she explores the ways we break down and come together again. Serina’s pieces have been shown in solo and group exhibitions, contributing a distinctive voice to contemporary ceramics.
PATRICIA UDELL
Patricia Udell is a New York artist who explores form and space through a distinctive visual language. Raised in New York City, she studied Design of the Environment and Sculpture at the University of Pennsylvania, and continued her education at the School of Visual Arts and Rhode Island School of Design. From her Brooklyn studio, Udell creates sculptural works that convey movement and simplicity, reflecting her careful attention to materials and spatial relationships.
KATIE GROVE
Katie Grove is an artist based in New York’s Rondout Valley who creates woven sculptures, using plant materials she gathers from the surrounding landscape. Her work reflects a deep engagement with nature, exploring the complex connections between people and the environments they inhabit. Using wood, bark, and grasses, Katie transforms these materials through traditional weaving techniques into contemporary forms that reveal the process of transformation itself. Her recent pieces draw on the basketry traditions of her European ancestry, weaving together personal history with broader themes of craft, place, and the intertwined stories of plants and people. Through her practice, Katie offers a thoughtful exploration of how human and natural worlds come together in unexpected and meaningful ways.
YOONA HUR
Yoona Hur is a New York-based artist whose work bridges spirituality, nature, and materiality through ceramics and painting. Born in Seoul and raised across Canada and the United States, Hur’s artistic journey is deeply rooted in her Korean heritage and Eastern philosophies. After years as an architect, she turned to art to explore and express this cultural and spiritual identity.
Hur’s creations draw from the rich history of Korean ceramics, notably the iconic Moon jar from the Joseon Dynasty, blending these influences with a contemporary minimalist sensibility. Her work often incorporates clay and Hanji, traditional Korean mulberry paper, using their natural textures to evoke a quiet sense of reflection and healing. The organic forms and muted tones she favors invite viewers into a space of stillness, encouraging contemplation and connection with the subtleties of material and time.
